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Dunno if this will work with that device, but with the DBX 480 (which was very picky about USB-Serial adapters) one could make 9-pin to XLR adapters and use a spare snake line:

dbx modem cable...

Did they make it smart enough that the channel refuses to send signal to the bus that is feeding the channel?

http://www.tracktion.com/blog/behringer-bundles-up-with-tracktion-4

I've read that the security protocols make the connection more finicky, and as such the best approach is to just disable the SSID broadcast.

Looks like it's all SMT save for those caps. Dunno if those are coupling caps (audio) or decoupling caps (power supply) (or both).

I hope you didn't drive straight through: If you are in a commercial vehicle, that would be illegal unless there were two drivers and a sleeper cab.

With that much I/O and DSP, I expect that it's a lot deeper than 10", as are many DSP units of various types.

I've not mixed the X32 on an iPad, but I've mixed the Presonus on an iPad, and in many ways I prefer it. I expect that once you mix a show or two that way, you'll be fine with it.

Here's a nifty use for DCAs "coupled with" groups: http://www.youtube.com/watch?v=MMMmR1u0CFk

You may need to use a crossover cable if connecting PC to console directly (you do with Yamaha consoles for instance).

One would hope that the factory presets have been chosen such that they will "play nice" with each other. Many manufacturers offer software that will 'crunch the numbers' and tell you what...

I like the LS9, but these days I cannot justify it when compared to the cost/features of the X32 and the GLD. When the X64 comes out (please!), it will be time to sell off the LS9 - if it will be at...

With most digital consoles, you don't want to combine (via your Furman for example) the main mix with the direct out of any channel or bus that is contained in the main mix. The reason is that the...

Do you mean RF interference, or the nastiness that happens when two performers get very close on stage?

Having the surface will save you if your iPad walks off or croaks, or your router dies.

Even if it worked, I'd be afraid of interference, since there's no shielding between the pairs as in an analog snake.

I understand wanting to find trick ways to do things.

If one were using...

Studio monitor or foldback monitor? Use the last available outputs, not the first. Use the first for your "aux" foldback monitors, so that aux 1 = mix 1 = output 1.

I believe that the 1/4" is for line level sources, not microphones.

The recording device mic is not suitable for use with standard line or mic input.

In the time it takes to read this discussion, one could run that second cable :-)

Always run a spare Cat, as it's a lot easier the first time.

Note that some of the high-end digital console makers say to use Cat5e, not Cat6.

Yep. The snake at the theater is a 40x16x150', and was $1500 six years ago (and does not include any drop snakes). You can put both S16 together and use drops. You can put one S16 on the drum...

Make sure that none of the channels that are in the problem mix have any HF boost (the master section too). This can cause problems with the stereo pilot tone, resulting in funky noises, swishy...

Seems like by the time you do all that, you may as well just buy an X32 (or, if you don't have a copper snake, an X32Rack and an iPad).

For unskilled operators, there's the StudioLive. The price of used ones should start dropping as more people replace them with X32s :-)

The best thing is to experiment. Boost to make things sound bad. Cut to see what makes them sound "odd".

Usually the problem will be too much of something, so cutting is most always the first...